pan & circus
Kulturbistro
experimental videos / avant-garde music / vegan food
zweite Edition
28.03, Dienstag, ab 17 Uhr
@ Galerie ZeitZone
Adalbertstrasse 79, Berlin
(U8 Kottbusser Tor)
Eintritt auf Spende basis (ab 3€ – vorgeschlagen)
‚Pan & Circus‘ ist ein alter Ausdruck, der die Geschichte von Politik und Kultur geprägt hat. Aber hier ist auch das Treffen zwischen veganes Essen und unabhängige und kulturelle Veranstaltungen.
In unsere zweite Edition bringen wir Kurzfilme der brasilianische Filmmaker Savio Leite, der eine Animation in der Berlinale 2017 gezeigt hat. Auch projektieren wir zwei videos und eine Video Installation der brasilianische Filmmaker Felipe Frozza, in Kollaboration mit der deutsche Performerin Rike Flämig,
Das Konzert mit Patrick Weh Weiland schließt die Nacht mit einem einzigartigen Berliner Trash-pop.
Auch machen wir reprise von videos von Grilowsky, Lola Lustosa e Manu Sobral, die in der erste Veranstaltung präsentiert waren.
28.03.2017 (videos ab 18 Uhr, Konzert: 21 uhr)
-reprise videos of first edition _ 6.pm/18 Uhr
(last program here: http://panandcircus.blogspot.de/p/programm.html)
ab 19Uhr:
-Brazilian short films on Berlinale 2017 series: „Venus – Filó, a fadinha lésbica“ (Venus – Filly the Lesbian Little Fairy), by Savio Leite;
+ Savio Leite past works: „Plutão“ (animation, 3’, 2004); „Eu sou o Polvo“ („I am like the octopus“, about Lourenço Mutarelli, 2005, 4’42); „Mercúrio“ (animation, 2007, 4´); „Terra“ („Earth“, 2008, 5’22, Portuguese, English subtitles); Saturno, by Savio Leite and Clécius Rodrigues (animation, 2014, 8’34).
„Venus – Filó, a fadinha lésbica“, 2017, 6’
In this animated short film, Filly, a lesbian fairy with nimble fingers, seduces women by day dressed as a boy. But at night something strange happens and soon half the population of Whatsit Village are eagerly queuing up.
by Sávio Leite, Brazil, Portuguese (english subtitles)
https://www.berlinale.de/de/programm/berlinale_programm/datenblatt.php?film_id=201719833#tab=video25
Sávio Leite lives in Belo Horizonte, Brazil, and studied visual arts at the Universidade Federal de Minas Gerais. He is a video artist, short film director and animator and has already worked on numerous cinema projects. He lecturers in animation and is a founder and curator of a MUMIA International Animation Underground Festival in Belo Horizonte. He has been a jury member for various festivals. His own films have screened at around 200 festivals in over 30 countries.
Filmography (short films)
2001 Mirmidoes (Myrmidons) 2003 Marte (Mars) 2004 Plutao (Pluto) • O Vento (The Wind) . É proibido jogar futebol no adro desta igreja 2005 Aeroporto (Airport) 2006 Eu sou como o polvo (I am like the octopus) . Arquivos Imperfeitos 2007 Mercúrio (Mercury) 2008 Terra (Earth) 2009 Kombucha 2010 Nego 2011 Space Dust 2012 Macacos me mordam (Holy Crap) 2013 Tejo/Tédio 2014 Saturno (Saturn) 2015 Arrudas . Marcatti 2016 Desarquivando o Brasil 2017 Vênus – Filó a fadinha lésbica (Venus – Filly the lesbian little fairy)
http://leitefilmes.blogspot.de/
In this animated short film, Filly, a lesbian fairy with nimble fingers, seduces women by day dressed as a boy. But at night something strange happens and soon half the population of Whatsit Village are eagerly queuing up.
by Sávio Leite, Brazil, Portuguese (english subtitles)
https://www.berlinale.de/de/programm/berlinale_programm/datenblatt.php?film_id=201719833#tab=video25
Sávio Leite lives in Belo Horizonte, Brazil, and studied visual arts at the Universidade Federal de Minas Gerais. He is a video artist, short film director and animator and has already worked on numerous cinema projects. He lecturers in animation and is a founder and curator of a MUMIA International Animation Underground Festival in Belo Horizonte. He has been a jury member for various festivals. His own films have screened at around 200 festivals in over 30 countries.
Filmography (short films)
2001 Mirmidoes (Myrmidons) 2003 Marte (Mars) 2004 Plutao (Pluto) • O Vento (The Wind) . É proibido jogar futebol no adro desta igreja 2005 Aeroporto (Airport) 2006 Eu sou como o polvo (I am like the octopus) . Arquivos Imperfeitos 2007 Mercúrio (Mercury) 2008 Terra (Earth) 2009 Kombucha 2010 Nego 2011 Space Dust 2012 Macacos me mordam (Holy Crap) 2013 Tejo/Tédio 2014 Saturno (Saturn) 2015 Arrudas . Marcatti 2016 Desarquivando o Brasil 2017 Vênus – Filó a fadinha lésbica (Venus – Filly the lesbian little fairy)
http://leitefilmes.blogspot.de/
- Videos and installation of Felipe Frozza, brazilian filmmaker in Berlin based, and Rike Flämig, german choreographer and performer.
‚Disruptions‘ (2015, 4’55, DE), ‚Roadblock‘ (2016), ‚Sumud‘ (video-installation-2016, by Felipe Frozza e Rike Flämig)
“Disruptions” deals with the difficulties of movement in a real conflict situation. A dancer starts developing a choreography in front of the wall between Israel and Palestine, but the adverse circumstances prevent its completion.
The wall that was suposed to function as the background for a dance video pushed itself to the centerpoint of a a site specific documentary film.
2015, Germany, filming in State of Palestine (English)
Crew: Felipe Frozza - director, cinematographer, editor, sound designer;
Rike Flämig - concept, director, choreographer and dancer.
Prizes: “Best Short of the Month”, March 2015, Shortcutz Berlin; “Best Concept”, Stories We Dance, Intl. Video Dance Contest, Genova, IT; “Best Performer”, Stories We Dance, Intl. Video Dance Contest, Genova, IT; “Best Film in the category Human Rights”, 1o. Festival Corporalidad Expandida, Buenos Aires, Argentina.
"Sumud" is a term associated with the Palestinian effort to remain on their home despite the Israeli occupation. Metaphorically it is compared to an olive tree, which develops its roots deeply and begins to bear fruit only after many years.
The video-installation "Sumud" is result of a period of coexistence with the Nassar family, which for more than twenty years has a peaceful way of resistance and struggle to keep your farm away of confiscation and not give place to another settlement Israeli in the West Bank.
The first chapter of the video, "Roadblock", is inspired by the blockades which impede the free movement of Palestinian citizens within the territory. There are more than 400 blockades across the West Bank. Trying to take them out could cause many problems with the forces of Occupation. The alternative is to include them as part of everyday life. In the video, a woman with red dress tries to push with her own body a huge stone blocking the road, while a group of tourists, a dog and a shepherd with his goats pass through the scene, re-creating an absurd situation between rural life and conflict tourism.
In the second chapter, "Figtree," the woman in red remakes the path taken by Daher Nassar in the day he discovered that hundreds of fruit trees from his orchard had been destroyed by the Israeli army. Only one fig tree was left behind, that became at the same time witness of the case, and a symbol of resistance and inspiration to plant hundreds of other trees.
Felipe Frozza is a Brazilian filmmaker based in Berlin. He creates documentary and fictional works for film and stage productions. Working in the border between documentary and fiction he draws from reality as a starting point and pushes the narratives to a point of surreality and absurdity. Currently he studies camera for film in Berlin and he is graduated in International Relations in Sao Paulo. He showed his works at Festivals in Europe, South America and in the Middle East. https://vimeo.com/felipefrozza
Rike Flämig is a post communist performer and choreographer based in Berlin. Using the body as a resistant sign she moves between performance art and contemporary dance. She develops documentary theatre productions and site specific works for public space, theatre and film. She studied Performance Art in Hildesheim and Contemporary Dance in Amsterdam and showed her works in Germany, Eastern Europe and in the Middle East.
‚Disruptions‘ (2015, 4’55, DE), ‚Roadblock‘ (2016), ‚Sumud‘ (video-installation-2016, by Felipe Frozza e Rike Flämig)
“Disruptions” deals with the difficulties of movement in a real conflict situation. A dancer starts developing a choreography in front of the wall between Israel and Palestine, but the adverse circumstances prevent its completion.
The wall that was suposed to function as the background for a dance video pushed itself to the centerpoint of a a site specific documentary film.
2015, Germany, filming in State of Palestine (English)
Crew: Felipe Frozza - director, cinematographer, editor, sound designer;
Rike Flämig - concept, director, choreographer and dancer.
Prizes: “Best Short of the Month”, March 2015, Shortcutz Berlin; “Best Concept”, Stories We Dance, Intl. Video Dance Contest, Genova, IT; “Best Performer”, Stories We Dance, Intl. Video Dance Contest, Genova, IT; “Best Film in the category Human Rights”, 1o. Festival Corporalidad Expandida, Buenos Aires, Argentina.
"Sumud" is a term associated with the Palestinian effort to remain on their home despite the Israeli occupation. Metaphorically it is compared to an olive tree, which develops its roots deeply and begins to bear fruit only after many years.
The video-installation "Sumud" is result of a period of coexistence with the Nassar family, which for more than twenty years has a peaceful way of resistance and struggle to keep your farm away of confiscation and not give place to another settlement Israeli in the West Bank.
The first chapter of the video, "Roadblock", is inspired by the blockades which impede the free movement of Palestinian citizens within the territory. There are more than 400 blockades across the West Bank. Trying to take them out could cause many problems with the forces of Occupation. The alternative is to include them as part of everyday life. In the video, a woman with red dress tries to push with her own body a huge stone blocking the road, while a group of tourists, a dog and a shepherd with his goats pass through the scene, re-creating an absurd situation between rural life and conflict tourism.
In the second chapter, "Figtree," the woman in red remakes the path taken by Daher Nassar in the day he discovered that hundreds of fruit trees from his orchard had been destroyed by the Israeli army. Only one fig tree was left behind, that became at the same time witness of the case, and a symbol of resistance and inspiration to plant hundreds of other trees.
Felipe Frozza is a Brazilian filmmaker based in Berlin. He creates documentary and fictional works for film and stage productions. Working in the border between documentary and fiction he draws from reality as a starting point and pushes the narratives to a point of surreality and absurdity. Currently he studies camera for film in Berlin and he is graduated in International Relations in Sao Paulo. He showed his works at Festivals in Europe, South America and in the Middle East. https://vimeo.com/felipefrozza
Rike Flämig is a post communist performer and choreographer based in Berlin. Using the body as a resistant sign she moves between performance art and contemporary dance. She develops documentary theatre productions and site specific works for public space, theatre and film. She studied Performance Art in Hildesheim and Contemporary Dance in Amsterdam and showed her works in Germany, Eastern Europe and in the Middle East.
_ Konzert: Patrick Weh Weiland solo (Schnick Schnack), 21 Uhr
Patrick WEH Weiland ist einer dieser Wolpertinger des Berliner Pop Undergrounds. Als eine Hälfte des Duos SchnickSchnack, welches er zusammen mit der japanischen Musikerin Futaba Nakayama gegründet hat, wirkt er solo wie ein uneheliches Kind von Francoise Cactus und Helge Schneider. Mit Punk im Herzen und DADA auf der Zunge singt er unentwegt seine Trash-Pop-Schlager, zerstreut deine Gedanken, scheu wie ein Panda und zerstört jede Discokugel auf deinem weg ins Glück. 4Walkman und ein Casio PT-80. Bisweilen einzige Veröffentlichungen auf dem Wiener Label Totally Wired Records.
https://soundcloud.com/patrick-weh-weiland
https://soundcloud.com/patrick-weh-weiland
Patrick Weh Weiland, „Weckruf“ (schallendes Lachen) / Video: Futaba Nakayama / From the compilation Totally Wired, 2014
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Menu:
vegan Sandwichs (mit verschiedene Brotaufstrich, Tofu, Salat), Humus, Salat und vegan Tapas.
Bio Tee, Bier, Bio Wein.
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more infos:
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curated by Yellow Castle – arts & actions
yellow.castle@hotmail.de
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pan & circus
Kulturbistro
vegan essen & Kunst geniessen
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Eintritt auf Spende basis (ab 3€ – vorgeschlagen)
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